[publikasjoner]

Scharffenberg, K. S. (2015), "Investigations of a tide-line and its influence on the painting materials in The Source" in T. Frøysaker, N. L. W. Streeton, H. Kutzke, F. Hanssen-Bauer and B. Topalove-Casadiego (eds), Public Paintings by Edvard Munch and his Contemporaries: Change and Conservation Challenges. London: Archetype Publications.

Scharffenberg, K. and Milnes, A. (2014), "Experiencing the authentic: the reconstruction of the Tingelstad frontal, a Norwegian altar frontal from the 13th century" in R. Gordon, E. Hermens and F. Lennard (eds), Authenticity and Replication - 'The Real Thing' in Art and Conservation, 169-179. London: Archetype Publications.

Scharffenberg, K. S. (2014), Investigations of Tide-Lines on Edvard Munch's Painting 'The Source'. Project Based Masters Dissertation, Conservation Studies. Oslo: University of Oslo, Department of Archaeology, Conservation and History.