[publikasjoner]

Scharffenberg, K. S.; Platania, E.; Buti, D. and Vila, A. (2025), "Reconstructing Gilding Structures in Search of Original Surface Effects", in N. L. W. Streeton, P. Bjerregaard and T. Føysaker (eds), Sacred Medieval Objects and Their Afterlives in Scandinavia. Leiden: Brill Publishers.

Scharffenberg, K. S. (2015), "Investigations of a tide-line and its influence on the painting materials in The Source" in T. Frøysaker, N. L. W. Streeton, H. Kutzke, F. Hanssen-Bauer and B. Topalove-Casadiego (eds), Public Paintings by Edvard Munch and his Contemporaries: Change and Conservation Challenges. London: Archetype Publications.

Scharffenberg, K. and Milnes, A. (2014), "Experiencing the authentic: the reconstruction of the Tingelstad frontal, a Norwegian altar frontal from the 13th century" in R. Gordon, E. Hermens and F. Lennard (eds), Authenticity and Replication - 'The Real Thing' in Art and Conservation, 169-179. London: Archetype Publications.

Scharffenberg, K. S. (2014), Investigations of Tide-Lines on Edvard Munch's Painting 'The Source'. Project Based Masters Dissertation, Conservation Studies. Oslo: University of Oslo, Department of Archaeology, Conservation and History.